Far from the familiar imagery of postcards and holiday destinations, this project explores a quieter and more peripheral side of Greece, shaped by open landscapes, temporary architectures, and traces of lives that seem suspended in time.

The photographs move between natural environments and human interventions, inhabited places and abandoned spaces, portraying a territory where permanence and transience constantly overlap. An old trailer, an unfinished house, a field of wildflowers, or a forgotten car acquire the same visual importance as the sea, the hills, and the surrounding vegetation.

Rather than documenting a specific location, Trailer Park Greece reflects on the way memory, everyday life, and landscape coexist and continuously reshape one another. A visual exploration of the tensions and harmonies that emerge when time appears to move at a different pace.